The newest “Massacre,” designed as a different direct sequel to the 1974 original, is hobbled by having a lot of BIG IDEAS it wants to get across in less than 90 minutes. Image Credit: Yana Blajeva / Legendary, Courtesy of Netflix “The Next Generation” will only stand the test of time as a movie star curio, a bar trivia answer better mentioned than seen. But you can’t take your eyes off of McConaughey, whose acting is so broad it can be seen from other planets. Along the way are secret societies, barely any violence and stretches that can’t hold a candle to the original trilogy. In a film where the camera and script are equally out of focus, Zellweger and her prom-bound friends are pursued by a berserk McConaughey and Leatherface, now dressed as a woman and screaming uncontrollably. Image Credit: ©New Line Cinema/Courtesy Everett Collectionįorever known as “the one with Renée Zellweger and Matthew McConaughey in it,” “The Next Generation” is an amateurish disaster buoyed only by a “seeing is believing” level of outrageousness.
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